Right-left, right-left.
I stare at the ground. The sun has been down for several hours, an orb of orange lamplight is hovering just over my right shoulder, the cloudless sky presents a magnificent view of the stars.
Right-left, right-left.
But I stare down at my beaten and torn Converse sneakers. Why? Because I can. And partially because doing so would give legitimacy to my use of the painfully overdone right-left, right-left motif.
Tap-TAP, tap-TAP, tap-TAP.
I hit a set of stairs. Have you ever noticed how much you can tell about someone by how they descend stairs? There’s the calm, measured steps of a “One. Two. One. Two,” the rapid pace of the impatient “ShuffleShuffleShuffleShuffleShuffle,” or my little brother’s infamous “da-DUMP, da-DUMP, THUD.” I used to pride myself on being able to pick out each of my family members by their footstep. Mine, I noticed, is a lightly syncopated “tap-TAP, tap-TAP, tap-TAP.” I’ll have to work that into a song sometime.
Left-right, left-right, left-right.
The cadence of the world is thrown off. It’s amazing how much shifting your focus from one foot to the other can cause disequilibrium in the pulse of the world. Or, at least, your world. I’m not sure anyone else cared to notice. But then again, there’s not much that any of us care to notice. By choosing to look at the world through one frame of reference, we exclude every other mode of perception. And then the moment is gone.
I spit behind a bush and notice a small, thin leaf lying on the tan earth. Deliberately. For the moment, my frame of reference is earthwards, not heavenwards. Tactile, not idyllic. Aristotelian, not Platonist. Don’t worry, the Platonism is coming later.
A security guard walks by humming a tune, grasping what appears to be a can of Mountain Dew. Two worlds collide, at least, from my perspective. One engaged in precise scrutiny of every experience that presseth upon the sense, another living carefree in the moment, walking the same route he’d walked many times before. I see him in a way that I’d never seen him before – not as an object, or as a person, but simply for the sake of illustration. Not that I’m denying the infinite mystery and wonder of his personhood. I’m much too Kantian for that. But one can be a means and an end simultaneously.
A lampost enters my periphery, streaks of lights cascading from the fluorescent orb. I wonder if everyone else sees lens flare when they look at lamposts. I know, at least, that the smooth blending of foreground into background is unique to my frame of reference. I never wear my glasses. The sharpness of vision that comes with it is unnerving. I prefer the fluidity of my own natural eyesight, slightly blurred from the decay of time, sleeplessness, and too many hours spent staring at a computer screen. It beats the glasses, though. One small scratch on the lens, and your view of reality is permanently scarred. At least, until you take off the glasses.
The wind cuts. My shoulders tense. I draw my peacoat closer in. It’s a declaration of defiance, in a sense. I have a cold and the elements are battering me. I recede inwards to steel myself against the harsh, unfeeling world around me. That world of infinite marvel and delight, of stars and galaxies and lamplights and cool night breezes and persons. Because I am scarred, infected by a virus, and any moment now I’m going to start coughing up a lung. Or at least a solid dose of mucous.
I head indoors and walk up the stairs with purpose, neglecting to pick out the rhythm of my footsteps. I’m focused now. Inspiration has struck and I am armed with a laptop. I sit down and lean against the wall. A friend starts to draw a picture of me. I catch on and let her know that I’m writing about her. She coughs too. She probably gave me the cold. But don’t tell her that. I start writing and I’d like to tip my hat to Remarque and vow never to criticize an author for using first-person present tense again.
We humans, we “Beings-in” and “Beings-at,” we Seins and Daseins are pathetic, really. We see the world through chipped and broken glasses. We go about our daily business, interacting with immortal horrors and everlasting splendors through blurry vision. We scar those mysterious Others which we include in our own glorious perception of reality. That’s not to say that the Others are scarred (though they are). But when they leave the realm of the “thing-itself,” and become the “thing-as-perceived,” we make them into constricted, twisted representations of those glorious, horrifying, beautiful, hideous things we call people. People, constrained, reduced, contorted by the knowing subject to a shell of their true selves.
We desecrate the Other every time we let supposed wrongs fester and bitterness grow inside of us. We desecrate the Other every time we reduce a person to a mere object of sexual gratification. We desecrate the Other every time we engage in that infernal practice of “networking,” subjecting eternal souls to the pragmatic triage of “who’s worth knowing” in our race to the top. We reduce, deface and capture these Others, working them into a coherent way of viewing the world that places us squarely at the center.
Well I refuse. If I can. Because doing so would grant legitimacy to my desires to be like God, to abandon this finite mortal body and transcend. To become infinite.
A friend of mine told me the other day that the world is a womb. And I think he’s right. God is Spirit, and we are body and spirit. This merciful material universe is an incubator, a training ground for learning to interact with spirits. But at a distance. To interact with pure spirit in our current state would be more than we could handle. The sheer power of raw knowing would crush us, we tiny vessels who are capable of so little. No, this material world is a tutor, gently leading us ever onwards and ever upwards in our knowledge – infinite becoming, never becoming infinite.
There. I told you the Platonism would come back later.
No, it’s not my place to know persons as they truly are. They must always be that mysterious Other. But I can, if at all possible, seek the healing of scars. I can let go of myself and delight in the mystery. Revel in it. Live for it. I can lose myself, Heidegger be damned!
Dereliquerunt me fontem aquae vivae. O Divine Master, grant that I may not so much seek to be understood, but to understand. Amen.